Winners 2018
Top NewsSportsMy PlanetPortrait. A Hero of Our Time
Single
© Justin Sullivan
Stand Off
A police officer points his gun at 3 occupants under a table moments after shooting a 14 year-old boy in the mouth at close range. The 14 year old boy was the middle occupant. After this incident, The protest over fishing quotas turned violent and led to 3 days of unrest in the community.
A police officer points his gun at 3 occupants under a table moments after shooting a 14 year-old boy in the mount at close range. The 14 year old boy was the middle occupant. After this incident, The protest over fishing quotas turned violent and led to 3 days of unrest in the community.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Stand Off
Stand Off
1st place
© Omid Vahabzadeh
Tehran attack
Two-year-old Emad is being transferred into a room of Iran's parliament building, after a terrorist attack by ISIS in Tehran, Iran, Wednesday, June 7, 2017. That day Emad and his mother were hopeful they would get help to treat his advanced illness-mucopolysaccharidosis.
Two-year-old Emad is being transferred into a room of Iran's parliament building, after a terrorist attack by ISIS in Tehran, Iran, Wednesday, June 7, 2017. That day Emad and his mother were hopeful they would get help to treat his advanced illness-mucopolysaccharidosis.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
Tehran attack
2nd place. Special prize "For humanitarian photography" by International Committee of the Red Cross (ICRC)
© Ajay Kumar
I could hear leopard crying in pain after it was shot
A stray leopard was shot with bullet by a police man in Lucknow and later it was declare dead by forest team and i clicked this photo right from the back of police man it was about 5 meters away from me.
A stray leopard was shot with bullet by a police man in Lucknow and later it was declare dead by forest team and i clicked this photo right from the back of police man it was about 5 meters away from me.
Ajay Kumar
Ajay Kumar
India
A photojournalist from a small village in Gonda District Uttar Pradeshand, Ajai Kumar lives in Lucknow. Since May 2014, Kumar has been working as a stringer photojournalist with the Lucknow edition of The Times of India -- the world's largest circulated English language national daily -- where he covers a wide range of assignments in many areas. In addition to daily coverage, he has photographed many important events in India from natural disasters to special events in India’s largest cities. Ajai Kumar is a founding member of the state's first photojournalism organization, The Youth Photojournalist Association (TYPA). He has received awards at the college and university levels for his work in photojournalism. To Kumar, photography is an unexplained magic, where a frozen moment becomes captivating, provocative and compelling to the viewer, who can feel the moment through the lens.
I could hear leopard crying in pain after it was shot
I could hear leopard crying in pain after it was shot
3rd place
© Sergei Gapon
Police pigtail
Anti-riot police officers stand in cordon during the Immortal Regiment march in Kiev on May 9, 2017 when several thousands people carry photographs of relatives who fought in WWII.
Anti-riot police officers stand in cordon during the Immortal Regiment march in Kiev on May 9, 2017 when several thousands people carry photographs of relatives who fought in WWII.
Sergei Gapon
Sergei Gapon
Belarus
Sergei was born in 1989 in the historical town of Kreva, some 100 km from Minsk, Belarus. He graduated from Belarusian State University of Culture and Arts in 2011 with a degree in cultural studies. Sergei has been working as a photojournalist at Agence France-Presse (AFP) since 2012.
Police pigtail
Police pigtail
Jury Honorable Mention
© Kevin Midigo
Defiant in democracy
A police officer fires live rounds at protesters concealed behind road advertisement boards.The anti-riot police were forced to use live bullets after they were cornered by the marauding NASA supporters.
A police officer fires live rounds at protesters concealed behind road advertisement boards.The anti-riot police were forced to use live bullets after they were cornered by the marauding NASA supporters.
Midigo Kevin
Kevin Midigo
Kenya
Kevin Midigo is a news and sports photographer based in Nairobi. His style incorporates colorful and energetic imagery. His love for current affairs was the catalyst for him to join the world of journalism. He studied radio production and worked in two TV stations before finding his footing in photojournalism. His works have been featured in, among others, The Daily Mail, The Guardian, Forbes Magazine, Financial Times, New Zealand Biker, and Mountain Biker (SA). He currently provides images for various news agencies in Nairobi.
Defiant in democracy
Defiant in democracy
Jury Honorable Mention
Series
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
A Kenya Administration police officer holding a stick monitors access to a polling station at Kariokor Community Centre in Nairobi on August 8, 2017 during general elections. Kenyans were voting on August 8 in elections headlined by a knife-edge between Uhuru Kenyatta and Raila Odinga.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
Supporters of the Kenyan opposition presidential candidate shout and hold sticks during a protest in the Mathare slums of Nairobi on August 9, 2017, a day after the presidential election. Kenyan politics is characterised by inter-ethnic tensions.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
A man seriously affected by tear gas and allegedly beaten up by police officers lays on the ground with handcuffs on after being arrested in Uhuru Park, Nairobi on October 13, 2017 during street protests by opposition supporters to call for the resignation of the Independent Electoral Commission.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
Kenyan police arrive to break up a protest of supporters of the Kenyan opposition presidential candidate in the Mathare slums of Nairobi on August 9, 2017, a day after the presidential election. Kenyan politics is characterised by inter-ethnic tensions.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
An opposition supporter reacts in front a burning barrricade in Mathare, Nairobi on October 26, 2017, as a group of demonstrators attempted to prevent voters from accessing a polling station in presidential elections. Kenyan politics is characterised by inter-ethnic tensions.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
A Kenyan policeman check a street with a burning barricade in Mathare, Nairobi on October 26, 2017, as a group of demonstrators attempted to prevent voters from accessing a polling station in presidential elections. Kenyan politics is characterised by inter-ethnic tensions.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
A woman reacts as she passes Kenyan police troops during a protest by supporters of the NASA presidential candidate on August 11th, 2017 at the Mathare slum of Nairobi, a stronghold of Kenyan opposition leader. Kenyan elections were marred by deadly riots, violent protests, killings and beatings.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
Relatives surround the body of Stephanie Moraa (9) allegedly killed by gunshot injury in the balcony of his house at Mathare slums in Nairobi on August 12, 2017. The nine-year-old girl's family said she had been shot while watching the riots from a fourth floor balcony.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
An opposition supporter carries a stone on her head under the heavy rain in front a burning barrricade in Mathare, Nairobi on October 26, 2017, as a group of demonstrators attempted to prevent voters from accessing a polling station in presidential elections.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
An injured man who allegedly was shot by Kenyan police during a rally of opposition supporters is helped by other people in Muthurwa State, Nairobi, on November 17, 2017. At least three men were shot dead on November 17, 2017 in the Kenyan capital Nairobi as police broke up crowds of protesters
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
A man, belonging to the Luo tribe, lays motionless on the ground after being beaten by the mob in a Kikuyu tribe area on August 13, 2017 during violent clashes between Luo supporters of defeated opposition leader Raila Odinga and members of President Uhuru Kenyatta's Kikuyu ethnic group.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
© Luis Tato
Kenya's Post-Election Turmoil
Kenyan elections were marred by deadly riots, violent protests, and beatings in key opposition strongholds. Human Rights Watch and Amnesty International found that just during the post-electoral process, police and inter-ethnics conflicts killed at least 100 people, and injured hundreds more.
Winfred Nzunga (8), allegedly hit in the head by a tear gas canister shot by Kenyan police officers during the post-electoral turmoil, stands nearby her home located at the Mathare slums in Nairobi, Kenya on August, 15th, 2017. Kenyan politics is characterised by inter-ethnic tensions.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Kenya's Post-Election Turmoil
Kenya's Post-Election Turmoil
1st place
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
The earthquake with a moment magnitude of 7.3 occurred on Sunday, Oct. 12, 2017, near Ezgeleh, Kermanshah Province, near the Iranian-Iraqi border. The earthquake was the most devastating earthquake in 2017.
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
Besimeh, 43, is an earthquake survivor who lost ten of her family members to the earthquake. She collects pieces of wood in Fuladi region. Most of the homes in this region were fully devastated by the earthquake.
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
A man who has lost her wife stands alongside a few women next to their demolished homes in Kuik Village. The village was fully destroyed.
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
The members of a family sit inside their car outside their house that was destroyed in the 7.3 magnitude earthquake in Sarpol-e Zahab, Kermanshah, Iran.
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
A young girl looks out at the ruins of her home from a tent in Emam Abbas-e Sofla village, one of the villages of Sarpol-e Zahab, which was destroyed. After the night of the earthquake, most children were coping with fear, doubt, and nightmares of the disaster
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
Members of a family collect the remains of their possessions from their demolished house.
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
Farhad from Tapani Village, Sarpol-e Zahab who has lost his wife and two of his three children in the earthquake. His wife lost her life when she went inside to save her children. He watches over his only surviving child, and believes that this child is the only thing restoring his hope in life.
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
A middle aged woman collects what remains of their house. Most of the people say that they had built their homes and earned their possessions after 30 years of agricultural work. Their house came falling down on them and was destroyed in a matter of seconds.
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
NO CAPTION
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
Children who have survived the earthquake in Sarpol-e Zahab play together.
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
NO CAPTION
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
© Younes Khani Someeh Soflaei
...And Life Rises
Iran is one of the most earthquake-prone countries in the world, and earthquakes threaten most regions across Iran. More than 80% of cities in Iran are under the threat of earthquake. Iran also stands high on the list of countries with the most number of earthquake victims. On the Sunday night of Oct. 12, 2017, a powerful 7.3 magnitude earthquake hit Ezgeleh City in Kermanshah Province near the Iranian-Iraqi border. 569 were killed, nearly 10 thousand were injured, and more than 30 thousand houses were destroyed in Ezgeleh, Sarpol-e Zahab, Salas-e Babajani, and Ghasreshirin cities, and the nearby villages. The earthquake spawned nearly 1557 aftershocks. It occurred at a depth of 11 km from Ezgeleh, and was felt throughout Northwest Iran due to its shallow depth and long duration. This earthquake was the most destructive earthquake of 2017 worldwide, and was felt in southeast of Turkey, Lebanon, Qatar, Israel, United Arab Emirates, Kuwait, and north of Saudi Arabia. When the earth begins to shake, the walls crack, they can be heard collapsing, and things are heard falling. In a matter of seconds, hundreds of homes are ruthlessly destroyed, and a huge cloud of dust covers everything. In those quick yet horrific moments, an inexplicable fear grips the people, many are injured, and many dead. Families lose their loved-ones and face the biggest challenge of their lives: homelessness. Losing one's home and shelter can cause serious mental health problems, filling the victims with rage and fear. Hopelessness becomes an inseparable part of the daily life, and it is difficult for people to accept this shock, to move on from the earthquake's destructive effects, in order to fight the unexpected problems. Gradually and strangely, however, the survivors get on with their lives and begin to rebuild their surroundings, creating a shelter for themselves and the rest of their families using the debris. The goal I pursue through this project is to depict the lives of people in the city of Ezgeleh in Kermanshah Province, who have experienced a 7.3 magnitude earthquake. I lived with the survivors for 20 days in order to better understand their dire living conditions after the earthquake. Those who have lost one or all of their family members in a matter of seconds, and, on top of that, no longer have a place to live. I wanted to capture the people's feelings, their sadness, happiness, hopes and fears in the face of this unpredictable disaster, to illustrate the flow of life that continued uninterrupted after the earthquake despite all odds. The people that began to rebuild their new life at such hard times and with little means; people that despite all the injuries and damages move toward their aspirations hoping to build a new life.
Members of a family collect the remains of their possessions from their demolished house.
YOUNES KHANI SOMEEH SOFLAEI
Younes Khani Someeh Soflaei
Iran
Younes Khani was born in Tehran, Iran in 1987. Since 2004, he started photographing for various agencies and newspapers in Iran and in 2006 he was employed by the semi-official Mehr News Agency till 2015 and since 2016 as freelancer. He has been active in the coverage of social events in Iran, espec.
...And Life Rises
...And Life Rises
2nd place. Special prize "For humanitarian photography" by International Committee of the Red Cross (ICRC)
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
Smoke is seen on the Myanmar side of the border from Cox's Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
Rohingya refugees arrive at a beach after crossing from Myanmar, in Teknaf, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
Rohingya Refugees members walk with carrying their belongings on a broken road a day after crossing over to the Bangladesh side of the border near Cox's Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
A Rohingya refugee woman who crossed the border from Myanmar cries while waiting to get a shelter in Kotupalang refugee camp near Cox's Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
Rohingya refugees build a new home at the Balukali Refugee Camp in Cox's Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
A Bangladeshi border guard keeps watching at no man's land between Bangladesh-Myanmar border, where many Rohingya refugees stand outside their temporary shelters, in Cox's Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
Rohingya refugees stretch their hands to receive aid distributed by local organizations at Balukhali makeshift refugee camp in Cox's Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
A Rohingya refugee mother carries her children and holds umbrellas during the rain in Balukhali refugee camp near Cox's Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
Two women fight for a rack near Balukhali refugee camp near Cox's Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
Shaheda, 40, a Rohingya refugee woman her body was burnt when the Myanmar army set fire to her house, receives treatment at the Cox's Bazar District Sadar Hospital in Cox's Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
© Mashruk Ahmed
A Dire Desperation For Safety
The mass migration of Rohingya Refugees began on August 25, 2017 as the Myanmar military started a task against the Myanmar military.The state military assaulted many police posts in Rakhine state. The striking back from Myanmar's specialists was speedy and heartless. Myanmar has been represented killing over 6,700 Rohingya and pushing more than 600,000 to Bangladesh. Almost all of them have sought refuge in Bangladesh while mostly have been injured by gunshots, shrapnel, fire, and landmines. Majority of these people seeking refuge are women and children. Rohingyas are an ethnic minority gathering and they have not been thought to be one of the nation's 135 authority ethnic gatherings and have been denied citizenship in Myanmar since 1982 Under the law, which has viably rendered them stateless. Because of the law, their rights to contemplate, work, travel, wed, rehearse their religion and access wellbeing administrations have been and keep on being limited. The Rohingya have confronted military crackdowns in 1978 to 2017. UN authorities and HRW have depicted Myanmar's abuse of the Rohingya as ethnic cleansing. The crisis is yet to be over since the first world leading countries and the United Nations has not yet been able to have come to a proper re-settlement agreement with Myanmar regarding this issue Thousands of people have been killed in this horrible event in history as people witnessed their beloved ones and their homes being burnt to ashes as they fled with the only thing they were left with, their lives. Presently in excess of 800000 Rohingya Refugees living in both enrolled and unregistered displaced person camps of Cox's Bazar area of Bangladesh, Bangladesh Government, Local and International Aid organizations are attempting to give nourishment, water, and safe house for the inundation immense evacuees Camps. The event of this aggression over Rohingya people goes beyond the depth of human vocabulary as even perish would be an understatement, therefore, it would definitely go down as one of the most violent acts of aggression in human history. However, the reason behind it would either vanquish or stay a mystery. Rohingya crisis by definition is an ethnic one. In order to sustain, Rohingya crisis requires being solved as a humanitarian crisis.
Displaced Rohingya refugees tempory shelter cement cylinders near Balukhali refugee camp in Cox’s Bazar, Bangladesh.
Mashruk Ahmed
Mashruk Ahmed
Bangladesh
Mashruk Ahmed (born 1992) is a Dhaka-based photographer. He studied photography at Counter Foto, Bangladesh and has been working as a Freelance photographer since 2014. His work published in various national and international newspapers and exhibited in a photo festival of Bangladesh and abroad. In 2017 Mashrukh Shortlisted for the Felix Schoeller Photo Award.
A Dire Desperation For Safety
A Dire Desperation For Safety
3rd place
© Omid Vahabzadeh
Tehran attack
On June 7, 2017 in Tehran 17 civilians were and 43 wounded when terrorists attacked the Iranian Parliament building and the Mausoleum of Ayatollah Ruhollah Khomeini. This was the first terrorist attack in more than a decade. The Islamic state, ISIS claimed the responsibility for these attacks.
People gathered next to the metro station in front of the Iranian parliament after a terrorist attack by ISIS in Tehran, Iran, Wednesday, June 7, 2017.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
© Omid Vahabzadeh
Tehran attack
On June 7, 2017 in Tehran 17 civilians were and 43 wounded when terrorists attacked the Iranian Parliament building and the Mausoleum of Ayatollah Ruhollah Khomeini. This was the first terrorist attack in more than a decade. The Islamic state, ISIS claimed the responsibility for these attacks.
Members of the Iranian Security Forces take position in front of Iran's parliament building after a terrorist attack by ISIS in Tehran, Iran, Wednesday, June 7, 2017.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
© Omid Vahabzadeh
Tehran attack
On June 7, 2017 in Tehran 17 civilians were and 43 wounded when terrorists attacked the Iranian Parliament building and the Mausoleum of Ayatollah Ruhollah Khomeini. This was the first terrorist attack in more than a decade. The Islamic state, ISIS claimed the responsibility for these attacks.
People gathered next to the metro station in front of Iran's parliament building a terrorist attack by ISIS in Tehran, Iran, Wednesday, June 7, 2017.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
© Omid Vahabzadeh
Tehran attack
On June 7, 2017 in Tehran 17 civilians were and 43 wounded when terrorists attacked the Iranian Parliament building and the Mausoleum of Ayatollah Ruhollah Khomeini. This was the first terrorist attack in more than a decade. The Islamic state, ISIS claimed the responsibility for these attacks.
A militant has taken position in front of Iran's parliament building after a terrorist attack by ISIS, in Tehran, Iran, Wednesday, June 7, 2017.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
© Omid Vahabzadeh
Tehran attack
On June 7, 2017 in Tehran 17 civilians were and 43 wounded when terrorists attacked the Iranian Parliament building and the Mausoleum of Ayatollah Ruhollah Khomeini. This was the first terrorist attack in more than a decade. The Islamic state, ISIS claimed the responsibility for these attacks.
Members of the Iranian Security Forces signaling 4 terrorists remain inside of the Parliament, after a terrorist attack by ISIS in Tehran, Iran, Wednesday, June 7, 2017.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
© Omid Vahabzadeh
Tehran attack
On June 7, 2017 in Tehran 17 civilians were and 43 wounded when terrorists attacked the Iranian Parliament building and the Mausoleum of Ayatollah Ruhollah Khomeini. This was the first terrorist attack in more than a decade. The Islamic state, ISIS claimed the responsibility for these attacks.
An Iranian armed man breaks the glass of a window at the Iran's parliament building to transfer people into a safe room, after a terrorist attack by ISIS in Tehran, Iran, Wednesday, June 7, 2017.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
© Omid Vahabzadeh
Tehran attack
On June 7, 2017 in Tehran 17 civilians were and 43 wounded when terrorists attacked the Iranian Parliament building and the Mausoleum of Ayatollah Ruhollah Khomeini. This was the first terrorist attack in more than a decade. The Islamic state, ISIS claimed the responsibility for these attacks.
Policemen, Security Forces and firefighters carry a ladder to transfer people into a safe room at Iran's parliament building after a terrorist attack by ISIS in Tehran, Iran, Wednesday, June 7, 2017.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
© Omid Vahabzadeh
Tehran attack
On June 7, 2017 in Tehran 17 civilians were and 43 wounded when terrorists attacked the Iranian Parliament building and the Mausoleum of Ayatollah Ruhollah Khomeini. This was the first terrorist attack in more than a decade. The Islamic state, ISIS claimed the responsibility for these attacks.
Two-year-old Emad is being transferred into a room of Iran's parliament building, after a terrorist attack by ISIS in Tehran, Iran, Wednesday, June 7, 2017. That day Emad and his mother were hopeful they would get help to treat his advanced illness-mucopolysaccharidosis.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
© Omid Vahabzadeh
Tehran attack
On June 7, 2017 in Tehran 17 civilians were and 43 wounded when terrorists attacked the Iranian Parliament building and the Mausoleum of Ayatollah Ruhollah Khomeini. This was the first terrorist attack in more than a decade. The Islamic state, ISIS claimed the responsibility for these attacks.
Iran's parliament building surrounded with smoke after a terrorist attack in Tehran, Iran, Wednesday, June 7, 2017.
Omid Vahabzadeh
Omid Vahabzadeh
Canada
Born 1989, Omid Vahabzadeh has been a professional photographer since 2006, when he started as a staff photographer for Farsnews agency in Iran. He holds an associate degree in photography and has covered social, political and sporting events inside and outside of Iran.
Tehran attack
Tehran attack
Jury Honorable Mention
© Maria Plotnikova
Immortal Regiment
People take part in the Immortal Regiment rally carrying portraits of their relatives who died or took part in the Great Patriotic War (1941–1945). Over 500,000 took part in the rally in 2017.
Rally marchers on Manezhnaya Square.
Maria Plotnikova
Russia
Immortal Regiment
© Maria Plotnikova
Immortal Regiment
People take part in the Immortal Regiment rally carrying portraits of their relatives who died or took part in the Great Patriotic War (1941–1945). Over 500,000 took part in the rally in 2017.
Rally marchers on Manezhnaya Square
Maria Plotnikova
Russia
Immortal Regiment
© Maria Plotnikova
Immortal Regiment
People take part in the Immortal Regiment rally carrying portraits of their relatives who died or took part in the Great Patriotic War (1941–1945). Over 500,000 took part in the rally in 2017.
Rally marchers on Tverskaya Street.
Maria Plotnikova
Russia
Immortal Regiment
© Maria Plotnikova
Immortal Regiment
People take part in the Immortal Regiment rally carrying portraits of their relatives who died or took part in the Great Patriotic War (1941–1945). Over 500,000 took part in the rally in 2017.
Volunteers holding the crowd.
Maria Plotnikova
Russia
Immortal Regiment
© Maria Plotnikova
Immortal Regiment
People take part in the Immortal Regiment rally carrying portraits of their relatives who died or took part in the Great Patriotic War (1941–1945). Over 500,000 took part in the rally in 2017.
Rally marchers on Tverskaya Street
Maria Plotnikova
Russia
Immortal Regiment
© Maria Plotnikova
Immortal Regiment
People take part in the Immortal Regiment rally carrying portraits of their relatives who died or took part in the Great Patriotic War (1941–1945). Over 500,000 took part in the rally in 2017.
Rally marchers on Tverskaya Street
Maria Plotnikova
Russia
Immortal Regiment
© Maria Plotnikova
Immortal Regiment
People take part in the Immortal Regiment rally carrying portraits of their relatives who died or took part in the Great Patriotic War (1941–1945). Over 500,000 took part in the rally in 2017.
Rally marchers on Manezhnaya Square.
Maria Plotnikova
Russia
Immortal Regiment
© Maria Plotnikova
Immortal Regiment
People take part in the Immortal Regiment rally carrying portraits of their relatives who died or took part in the Great Patriotic War (1941–1945). Over 500,000 took part in the rally in 2017.
Rally participants walk onto Red Square.
Maria Plotnikova
Russia
Immortal Regiment
Immortal Regiment
Jury Honorable Mention
Single
© Tayseer Mahdi Khudair Kazem
The desire for life
A child plays football and is cut off as a result of terrorism and defies his handicap in order to sustain life.
A child plays football and is cut off as a result of terrorism and defies his handicap in order to sustain life.
Taisir Mahdi
Taisir Mahdi
Iraq
Taisir Mahdi Khudair Kazem was born in Iraq in 1985. He holds a Bachelor’s degree in Spanish and English from the University of Baghdad Language College. Taisir is a professional photographer interested in portrait photography and portraying people's lives and street life. He has worked for several news agencies. He has won several awards from the FIAP and the American Society for Photography (PSA).
The desire for life
The desire for life
1st place. Special prize by Shanghai United Media Group (SUMG). Special prize by Al Mayadeen TV
© Maria Plotnikova
Street football
Boys plays street football in Trinidad, Cuba.
Boys plays street football in Trinidad, Cuba.
Maria Plotnikova
Russia
Street football
Street football
2nd place
© Amit Moulick
Street Wrestling
I took this photo at Burrabazar. Burrabaza is the commercial nucleus of Kolkata and one of the largest wholesale markets in Asia. Street side wrestling competition organised by the merchants of Burrabazar on the day of Diwali festival in Kolkata More then 120 men and women participate in the event.
I took this photo at Burrabazar. Burrabaza is the commercial nucleus of Kolkata and one of the largest wholesale markets in Asia. Street side wrestling competition organised by the merchants of Burrabazar on the day of Diwali festival in Kolkata More then 120 men and women participate in the event.
Amit Moulick
Amit Moulick
India
Amit is a graduate in science from Jaipur National University, India. He works as a freelance photojournalist in the editorial/news department of The Times of India, the highest selling daily newspaper in the country. Amit covered several national assignments including elections, strife, conflicts, important public figures and heads of state as well as stories of everyday life.
Street Wrestling
Street Wrestling
3rd place
© Artem Onoprienko
No doping
A member of the Samara Region team, many-time winner of city, regional and national competitions, bronze medalist at the Russian Students’ Championships. A series of documentary photos and stories about young Samara and Samara Region athletes who remain loyal to their hobbies and calling against the backdrop of persisting scandals. They are moving ahead without any doping.
A member of the Samara Region team, many-time winner of city, regional and national competitions, bronze medalist at the Russian Students’ Championships. A series of documentary photos and stories about young Samara and Samara Region athletes who remain loyal to their hobbies and calling against the backdrop of persisting scandals. They are moving ahead without any doping.
Artyom Onopriyenko
Artem Onoprienko
Russia
Artem Onoprienko was born in 1988 in Uralsk, Kazakhstan. He works as a business analyst in the IT sector and manages a photography club at the National Research University in Samara. He has won a number of professional national and regional photo contests, including the Young Russian Photographers international festival.
No doping
No doping
Jury Honorable Mention
Series
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
At my signal, unleash hell.Marco (47) is an ex-AC Milan Ultras who is now the leader of the Albenga Ultras.
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
Every Sunday, the group gathers into the stadium to support the team.
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
Acab. The acronym for "All Cops Are Bastard" is one of the most known tattoo within the Ultras, to express their hate towards institutions and police.
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
1312. Alberto (24) is one of the youngest in the group but very determined to follow the "ultras life-style". 1312 has the same meaning of ACAB, as 1 stays for the first letter of the alphabet, 3 the third and so on.
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
Ink me. Albenga, Italy. Mari, Marco's girlfriend, also is an Ultras since many years. Here she shows her Ultras faith with another tattoo
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
Come here.Erli, a quiet aggressive member of the Albenga group, is provoking the ultras of the opposing team, hoping for a fight.
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
Tyson.Marco loves animals, especially his dog Tyson; however, his rage and aggressiveness affect a big part of his daily life.
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
Tension.Adriano (25), is following the game with an extreme level of tension and concentration.
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
Prepare for war.Before and after the game, tension rises to an extremely high level and often the Police is obligated to intervene to avoid fights between rivals.
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
An Ultras never dies. Sanremo, Italy. Giancarlo, historic Ultras of the Sanremese Group, dies at 45, after an heart attack. Together with the Sanremese Ultras, the GSA gives him the final salute at the Sanremo Stadium, while screaming out loud: "Un Ultras non muoremai" ("An Ultras never dies").
Andrea Alai
Andrea Alai
Italy
Ultras
© Andrea Alai
Ultras
According to an Italian Police census, there are about 41,000 Ultras fans in Italy. The AlbengaCalcio plays in the Ligurian “Eccellenza” championship – its Ultras group is respected throughout the whole of Italy and for many, belonging to it, is a source of great honor and pride.
Pride.In 2017, the GSA was invited to take part of the U3, a national-known Ultras gathering held every year for charity. Adriano stands before the crowd, showing proudly to belong to the Gradinata Sud Albenga.
Andrea Alai
Andrea Alai
Italy
Ultras
Ultras
1st place
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
Benjamin Bonzi of France faces Daniil Medvedev of Russia at the French Open, men's singles.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
Yekaterina Makarova (Russia) in a women's singles match against Lesia Tsurenko (Ukraine) at the French Open.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
The shoes of Ukraine's Elina Svitolina. Women's singles match at the French Open between Elina Svitolina and Yaroslava Shvedova from Kazakhstan.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
Yana Cepelova (Slovakia) faces Simona Halep (Romania) in a women's singles match at the French Open.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
Rafael Nadal (Spain) during the finals of the men's singles against Stan Wawrinka (Switzerland) at the French Open.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
Andrew Murray (Great Britain) in a men's singles semi-final match at the French Open against Stan Wawrinka (Switzerland).
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
Rafael Nadal (Spain) plays Dominic Thiem (Austria) in the men's singles semifinals at the French Open.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
Aliaksandra Sasnovich (Belarus) against Viktorija Golubic (Switzerland) during the women's singles at the French Open.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
Veronica Cepede Royg of Paraguay during a French Open women's singles match against Karolina Pliskova of the Czech Republic.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
© Alexei Filippov
Red-hot court
Roland Garros French Tennis Open 2017.
Simona Halep of Romania in a semifinal match against Karolina Pliskova of the Czech Republic during the women's singles at the French Open.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Red-hot court
Red-hot court
2nd place
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
Boxgirls Kenya pupils gather and get ready before a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
Boxgirls Kenya pupils warm up before a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
Boxgirls Kenya pupils warm up before a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
Boxing gloves are seen before a boxing practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
A boxing coach helps a girl to wear boxing gloves before a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
Boxgirls Kenya field activities coordinator and boxing coach Jane 'Sonko' (left) practices girls several during a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
A Boxgirls Kenya pupil attends the instructions given by a Boxing coach during a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
Boxgirls Kenya field activities coordinator and boxing coach Jane 'Sonko' (left) practices girls several during a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
Boxgirls Kenya pupils make breathing exercises during a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
Boxgirls Kenya pupils gather to chat after a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
© Luis Tato
Boxgirls Kenya
Boxgirl Kenya is a boxing academy fighting to empower women and girls from Nairobi's toughest slums while using self-defence training to help them become self-sufficient and emotionally and physically resilient.
Boxgirls Kenya field activities coordinator and boxing coach Jane 'Sonko' (center) embraces two young girls after a boxing combat during a practice session taking place in a Social Hall located in a slum area of Kariobangi, one of Nairobi's toughest neighbourhoods on Monday, June 29, 2017.
Luis Tato
Spain
Luis Tato is a Spanish-born photojournalist based in Nairobi, Kenya. He currently combines his work as a stringer photographer covering East Africa with his own photojournalism projects, given his passion for sociology and traveling.
Boxgirls Kenya
Boxgirls Kenya
3rd place
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
A referee reads the list of pairs before the tournament.
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
Praying
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
Parents and coaches intently watch the tournament.
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
Rivals.
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
Checkers players during a break.
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
The parents.
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
A mother instructs her son.
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
The referee reprimands a player for unsporting behavior.
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
Training session.
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
© Alexei Vasilyev
Republican checkers tournament
This series was taken in Yakutsk during the annual Savvinov Prize tournament that brought together over 300 children from various districts of the republic. Since 1995, Master of Sports N. Savvinov has held an annual checkers tournament. He purchases the prizes himself.
An emotional climax.
Alexei Vasilyev
Alexei Vasilyev
Russia
Alexei was born in Yakutsk. In 2008, he graduated from Yakutsk State University with a degree in philology. Since 2010, he has been working at Keskil’s Yunost Severa children’s newspaper. In 2017, Alexei became a member of the Russian Union of Art Photographers.
Republican checkers tournament
Republican checkers tournament
Jury Honorable Mention
Single
© Sergei Gapon
Cranberry heart
Harvesting cranberries in Pinsk District. It is one of the regions with the highest unemployment rate in Belarus. The cranberry harvest season is the only way to earn money for locals. Employees should spend about 10 hours in ice water every day. Cranberry heart symbolizes the engine of the region.
Harvesting cranberries in Pinsk District. It is one of the regions with the highest unemployment rate in Belarus. The cranberry harvest season is the only way to earn money for locals. Employees should spend about 10 hours in ice water every day. Cranberry heart symbolizes the engine of the region.
Sergei Gapon
Sergei Gapon
Belarus
Sergei was born in 1989 in the historical town of Kreva, some 100 km from Minsk, Belarus. He graduated from Belarusian State University of Culture and Arts in 2011 with a degree in cultural studies. Sergei has been working as a photojournalist at Agence France-Presse (AFP) since 2012.
Cranberry heart
Cranberry heart
1st place
© Maria Plotnikova
Red cow
A cow drinks from a puddle near the special astrophysical observatory of the Russian Academy of Sciences. The special astrophysical observatory is the largest Russian Academy of Sciences’ research institute in Russia.
A cow drinks from a puddle near the special astrophysical observatory of the Russian Academy of Sciences. The special astrophysical observatory is the largest Russian Academy of Sciences’ research institute in Russia.
Maria Plotnikova
Russia
Red cow
Red cow
2nd place
© Vitaly Nevar
Eclipse
Lunar eclipse over Kaliningrad Stadium under construction.
Lunar eclipse over Kaliningrad Stadium under construction.
Vitaly Nevar
Vitaly Nevar
Russia
Vitaly was born in 1989 and graduated from the civilian division of Kaliningrad Border Institute of the Russian Security Service. He has worked as a professional photographer for about five years and mainly focuses on news and documentary photography. Vitaly is a photojournalist for the Novy Kaliningrad (New Kaliningrad) internet portal and TASS news agency.
Eclipse
Eclipse
3rd place
© Vitaly Nevar
Catchers
Collecting amber on the Baltic Sea shore.
Collecting amber on the Baltic Sea shore.
Vitaly Nevar
Vitaly Nevar
Russia
Vitaly was born in 1989 and graduated from the civilian division of Kaliningrad Border Institute of the Russian Security Service. He has worked as a professional photographer for about five years and mainly focuses on news and documentary photography. Vitaly is a photojournalist for the Novy Kaliningrad (New Kaliningrad) internet portal and TASS news agency.
Catchers
Catchers
Jury Honorable Mention
© Sebnem Coskun
History on the Road Breakfast
Harun Reşit Göktaş and Fahri Akdag (right), who own the "Kubbe Istanbul" in Eminonu 'Sagir Han', are having their breakfast in the presence of their Istanbul view, which is visible from the terrace of their workplace. From time to time, the tourists who visit 'Sagir Han' and 'Kubbe Istanbul', İf they want They can have breakfast in this unique view of Istanbul.
Harun Reşit Göktaş and Fahri Akdag (right), who own the "Kubbe Istanbul" in Eminonu 'Sagir Han', are having their breakfast in the presence of their Istanbul view, which is visible from the terrace of their workplace. From time to time, the tourists who visit 'Sagir Han' and 'Kubbe Istanbul', İf they want They can have breakfast in this unique view of Istanbul.
Sebnem Coskun_
Sebnem Coskun
Turkey
Born in 1987 in Istanbul, Turkey. Works in the fields of social documentary photography and underwater photography. Projects in recent years deal with the problem of medical waste and plastic pollution in water. Currently on staff at the Anadolu Agency.
History on the Road Breakfast
History on the Road Breakfast
Jury Honorable Mention
Series
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
The diagnosis was unexpected. I feared the uncertainty, and my anxiety was growing.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
The diagnosis was unexpected. I feared the uncertainty, and my anxiety was growing.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
The illness pushed me to contemplating and re-assessing my life. The thoughts were multiplying and overwhelming my head.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
The thin IV tube divided my life into a before and an after. That’s how the fight for recovery started.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
Meals became a problem. I realized that nutrition was important, but I had no appetite. Even my favorite food seemed tasteless and made me nauseous.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
The pain in my bones after chemotherapy felt like embers – it would burst out in different parts of the body and it was impossible to find a comfortable position.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
I was tortured, just like many others, with the question “Why did it happen to me of all people?” A simple answer cannot be found. It is crucial to turn to religion not in search of a cure but to realize that a disease is a test. And it is a valuable part of life that teaches a lot and gives you the motivation to change inside.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
Insomnia, nausea, tightness of the chest and headaches stepped up the mental tension.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
Losing your hair is painless in itself, but it is very hard to accept emotionally. I was irritated to see the new “hairstyle” and a swollen face.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
I could not focus on anything. I felt at times like a broken glass phial.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
Many things that seemed important faded and became meaningless. However, great love appeared that strengthened me and gave me hope.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
© Alyona Kochetkova
How I fell ill
Everyone knows the word “cancer,” and people are afraid of it, although they hardly know anything about this disease. When I was diagnosed with cancer, I, too, knew nothing about it, and I did not have the slightest idea of the road that I would have to travel: from fear for my life to hopes for a recovery.
Even good results of the treatment are not a guarantee that the illness will not be back. But I always hope for the best.
Alyona Kochetkova
Russia
Alyona was born in 1988 in Kaluga. She is a photographer and teaches photography at the Ulybka studio of a children’s art school. She is a member of the Russian Union of Art Photographers and a recipient of grants from the Russian Government and the Ministry of Culture to support young cultural and art workers. She has won various national and world photo contests and participated in numerous photo exhibitions in Russia and abroad.
How I fell ill
How I fell ill
GRAND PRIX, 1st place
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Defeat.A firefighter walks through a corridor of burning informal houses with an empty hose. 15 000 people displaced in a fire that claimed 4 lives and + 2000 houses.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Morning Light.A Working on Fire huey helicopter collects water on the edge of the suburbs as a rampant wildfire burns nearby. The Somerset West fire burned for 8 days, destroying 10 000 hectares of vegetation.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Trouble in Paradise.2 Interagency Specialised Hotshot firefighters walk on a farm road during a large wildfire in the Robertson District. Firefighters were overwhelmed by strong winds and erratic fire behaviour, yet prevailed to protect all farm property.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Standing Tall.A Firefighter stands his ground as a wildfire ripped through the farm land in the Robertson District. Firefighters were overwhelmed by strong winds and erratic fire behaviour, yet prevailed to protect all farm property.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Last Breath.A 1792 Historical Dutch Style House burns as a wildfire blazed down the mountain into the rural Paarl farmlands. This was the last image taken of this houses before it went up in flames. It was the home of the prominent Afrikaans writer and poet better known as Totius.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Heavens of Fire.A crew leader holds his hands up signalling to crews below the oncoming danger behind them. The crews rushed down the mountain to secure a flank besides a house. This crew spent 28 hours protecting property high up in the mountains.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Oryx of the Sky.A South African National Defence Force helicopter (Oryx) assists ground crews as they make their way up the right flank of a large wildfire 1200m above sea level.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Angel Drop. A pilot in a Huey helicopter makes the perfect drop from above during a wildfire near Koeberg Power Station.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Walking with Fire.During a 10 day inferno on the Cape Peninsula, firefighters battled to contain one of the largest wildfires in Cape Town History. In the image, a firefighter holds his head up high as he walks towards a fire burning in the plantations.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Blaze Battle.A volunteer firefighter takes a leap as fire attempts to jumps the road. Crews had been holding the line for most of the day, only for the wind to change and force all crews on the flank to evacuate to safe ground.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Fire Run.3 volunteer firefighters run through a fire in a vineyard to attack the fire head on after just moments before evacuating to lower ground.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
© Justin Sullivan
Walking with Fire: Going Beyond
A series depicting the brave men and woman who risk their lives combatting rampant wildfires in South Africa. Going beyond the public eye, these men and woman face disaster head on in the mountains, on the urban wildland interface and from the sky.
Eyes of Fury.A 'Working on Fire' firefighter looks on in despair as a wildfire burns strong in the veld around him.
Justin Sullivan
Justin Sullivan
South Africa
Justin Sullivan was born in the small town of Eshowe, South Africa. After completing secondary schooling at Michaelhouse in Kwa-Zulu Natal, he studied Development & Environmental Studies at the University of Stellenbosch - completing majors in Geography & Environmental Studies, Public & Development Management, and a half-major in Sociology.
Walking with Fire: Going Beyond
Walking with Fire: Going Beyond
2nd place. The online vote winner
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
The way to work. Mohammed, young boy Works from the first light of the sun, brings water, tea and equipment to the workers. Mohammed did not complete the elementary school and went to work in the mountain to help his family with some money.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
The way to work
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
A cup of tea. After workers gather in the morning , The workers drink a cup of tea to warm themselves up in this cold atmosphere.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
A cup of tea
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
Making clouds. Щne of the worker uses a machine which called "El fasalah" which cut and partition the mountain to stone blocks " 13*26 cm" . This process produces a cloud of white lime this dust stones cause them serious respiratory diseases.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
The White Mountain
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
In the storm. One of the workers walking in Thick dust of white lime , This lime affects the lungs of workers and injures them with serious diseases.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
The White Mountain
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
The man of sizes. Ahmed , young man 18 years old ,Responsible for the dimensions of the brick molds using the lever to move the path of the machine to the required size.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
The White Mountain
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
The Machine. "El hashasha", the machine which extract the final result of the stones as a free blocks that ready to use. this machine is very dangerous ,sharp, and has no safe handling and some workers are injured by cutting the hand or foot.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
The White Mountain
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
The Track. Workers transporting brick blocks cut off from the machine's track In preparation for the next round.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
The White Mountain
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
The professor. Mostafa , an old man 46 years , He has been working in the mountain for more than 20 years, Specializes in repairing faults that occur in the mach.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
The White Mountain
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
Transportation. The workers Moving the bricks to the place where the transport vehicles are located.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
The White Mountain
© Anas Kamal
The White Mountain
In a remote location in Upper Egypt and under a cloud of white lime, dozens work in white brick quarries to extract white bricks from the mountain, most of the workers are young men who have not completed their education. The work begins after the sunrise to sunset in dangerous conditions.
From hand to hand. The workers moving the bricks from hand to hand and put it on the transport vehicles to be ready for trading in the market.
Anas Kamal
Anas Kamal
Egypt
Anas Kamal, 25, is an Egyptian freelance photographer specializing in documentary and daily life photography. Graduated university with a degree in engineering. Currently enrolled at DMJX studying documentary photography.
The White Mountain
The White Mountain
3rd place
© Oded Wagenstein
The Void we Leave - An aging community in Cuba
An aging community, living in Cuba is disappearing. All they leave is the void between the walls. Those walls witnessed so much joy and sadness. Now, they stand in their solitude. Soon, the government will lodge a new tenant in the apartment, the walls will be painted, tiil they too become a layer.
Leonada.Leonada Gelato Machena in her one-room apartment. She shared with me that she loved sitting with friends in the local park, but now, when some of them are already gone she rather stays in the house. She keeps saying that "getting older" does not fit her character.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
The Void we Leave - An aging community in Cuba
© Oded Wagenstein
The Void we Leave - An aging community in Cuba
An aging community, living in Cuba is disappearing. All they leave is the void between the walls. Those walls witnessed so much joy and sadness. Now, they stand in their solitude. Soon, the government will lodge a new tenant in the apartment, the walls will be painted, tiil they too become a layer.
Antonia.Moria Antonia Gomez's room.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
The Void we Leave - An aging community in Cuba
© Oded Wagenstein
The Void we Leave - An aging community in Cuba
An aging community, living in Cuba is disappearing. All they leave is the void between the walls. Those walls witnessed so much joy and sadness. Now, they stand in their solitude. Soon, the government will lodge a new tenant in the apartment, the walls will be painted, tiil they too become a layer.
Tereza.Tereza Boniza in her room. On the wall (left) a picture of her mother when she was young.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
The Void we Leave - An aging community in Cuba
© Oded Wagenstein
The Void we Leave - An aging community in Cuba
An aging community, living in Cuba is disappearing. All they leave is the void between the walls. Those walls witnessed so much joy and sadness. Now, they stand in their solitude. Soon, the government will lodge a new tenant in the apartment, the walls will be painted, tiil they too become a layer.
Alama.Colorful objects pasted on a wall in a community's one-room apartment.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
The Void we Leave - An aging community in Cuba
© Oded Wagenstein
The Void we Leave - An aging community in Cuba
An aging community, living in Cuba is disappearing. All they leave is the void between the walls. Those walls witnessed so much joy and sadness. Now, they stand in their solitude. Soon, the government will lodge a new tenant in the apartment, the walls will be painted, tiil they too become a layer.
Delphin.Delphin Fernadez, in his small hut, surrounded by images of Lenin and studies of Marx. Although he retired a long time ago, Delphin made sure to wear his uniform from work at the customs, on a daily basis and surrounded himself with old items of socialism. In December 2016, he went under a stroke.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
The Void we Leave - An aging community in Cuba
© Oded Wagenstein
The Void we Leave - An aging community in Cuba
An aging community, living in Cuba is disappearing. All they leave is the void between the walls. Those walls witnessed so much joy and sadness. Now, they stand in their solitude. Soon, the government will lodge a new tenant in the apartment, the walls will be painted, tiil they too become a layer.
Delphin.Delphin Fernadez sleeps in his hut, few days before the stroke.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
The Void we Leave - An aging community in Cuba
© Oded Wagenstein
The Void we Leave - An aging community in Cuba
An aging community, living in Cuba is disappearing. All they leave is the void between the walls. Those walls witnessed so much joy and sadness. Now, they stand in their solitude. Soon, the government will lodge a new tenant in the apartment, the walls will be painted, tiil they too become a layer.
Havinyo.Havinyo Agiar image is reflected on a broken mirror in his one-room apartment.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
The Void we Leave - An aging community in Cuba
© Oded Wagenstein
The Void we Leave - An aging community in Cuba
An aging community, living in Cuba is disappearing. All they leave is the void between the walls. Those walls witnessed so much joy and sadness. Now, they stand in their solitude. Soon, the government will lodge a new tenant in the apartment, the walls will be painted, tiil they too become a layer.
Michael.Michael Reynaldo in his one room apartment. November 2014, Cienfuegos, Cuba He urged me to take his portrait in his chair (this was the first portrait I took in this community) and a few months later, he passed away, and I never saw him again.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
The Void we Leave - An aging community in Cuba
© Oded Wagenstein
The Void we Leave - An aging community in Cuba
An aging community, living in Cuba is disappearing. All they leave is the void between the walls. Those walls witnessed so much joy and sadness. Now, they stand in their solitude. Soon, the government will lodge a new tenant in the apartment, the walls will be painted, tiil they too become a layer.
Oneliya.Onelia Katyo's one room apartment. Most of the community's elders are living alone. Therefore, when they are passing away in their houses, they are usually by themselves.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
The Void we Leave - An aging community in Cuba
The Void we Leave - An aging community in Cuba
Jury Honorable Mention
Single
© Oded Wagenstein
Rosebud
A child from the Serotetto family, part of the nomadic Nenets tribe, standing on the family's wooden sleigh, during their migration over the river of Ob. Yamal Peninsula, Siberia, Russia. March 2017.
A child from the Serotetto family, part of the nomadic Nenets tribe, standing on the family's wooden sleigh, during their migration over the river of Ob. Yamal Peninsula, Siberia, Russia. March 2017.
Oded Wagenstein
Oded Wagenstein
Israel
Oded Wagenstein (1986) is a photographer and writer. His long-term projects explore the themes of aging, longing, and memory. Wagenstein graduated in both sociology and anthropology and in film, from Tel Aviv University. His work has been published at numerous platforms, including the BBC, National Geographic and National Geographic Traveler.
Rosebud
Rosebud
1st place
© Aleksey Filippov
Goal keeper
Goal keeper Guillermo Ochoa (Mexico) warms up before semifinals match of the 2017 FIFA Confederations Cup between Germany and Mexico.
Goal keeper Guillermo Ochoa (Mexico) warms up before semifinals match of the 2017 FIFA Confederations Cup between Germany and Mexico.
Alexei Filippov
Alexei Filippov
Russia
Alexei was born in 1985 in Baku. He graduated from Moscow State Technical University of Civil Aviation with a degree in engineering. Simultaneously, he studied photojournalism at Moscow State University. Alexei completed an internship at Kommersant Publishing House, collaborated with the Tribuna newspaper and worked for ITAR-TASS agency for several years. Since 2011, he has been a staff photojournalist at RIA Novosti.
Goal keeper
Goal keeper
3rd place
© Stepan Zmachinsky
Training sessions of the Emergencies Ministry Leader Center
The airborne service of the Leader Center, headed by Igor Kuzayev, organizes training sessions for rescuers four times a year. For almost a month rescuers from the Leader Center, the Tsentrospas Unit, the Noginsk Rescue Center and the Zhukovsky Air Rescue Center of the Emergencies Ministry practice sky jumping.
The airborne service of the Leader Center, headed by Igor Kuzayev, organizes training sessions for rescuers four times a year. For almost a month rescuers from the Leader Center, the Tsentrospas Unit, the Noginsk Rescue Center and the Zhukovsky Air Rescue Center of the Emergencies Ministry practice sky jumping.
Stepan Zmachinsky
Stepan Zmachinsky
Russia
Stepan was born in 1987 in the village of Kromy, Oryol Region. He graduated from Oryol State University with a degree in Public Relations. He fell in love with photography at the age of 19. Starting as an amateur photographer, Stepan then took photos for internet portals. He worked for the OryolGrad online outlet for a few years and as a correspondent at the Istoki TV and radio company.
Training sessions of the Emergencies Ministry Leader Center
Training sessions of the Emergencies Ministry Leader Center
Jury Honorable Mention
© Christian Werner
Lord of War
Syria, January 2017. Portrait of the warlord Mohammad Jaber, "general" and founder of the controversial pro Assad regime Desert Hawks militia based in Latakia. Picture from his private house.
Syria, January 2017 - Portrait of the warlord Mohammad Jaber, "general" and founder of the controversial pro Assad regime Desert Hawks militia based in Latakia. Picture from his private house.
Кристиан Вернер
Christian Werner
Germany
Christian Werner is a freelance multimedia/photojournalist based in Boitzum, Germany. As a teenager he developed an interest in photography while traveling to foreign countries. In 2014 he completed the photojournalism & documentary photography course at the University of Applied Sciences in Hannover. His main interests are social diversity and global political issues, as well as the Arab world and culture.
Lord of War
Lord of War
Jury Honorable Mention
Series
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Mehdi and Hameed, 20 years old, both students of nursing- medicine.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Somayeh and Samaneh, 22 years old, both students of business accounting, both kindergarten teachers.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Arezou and Azadeh, 25 years old, both hotel receptionists.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Marzieh and Razieh, 27 years old, Marzieh: a student of animation, Razieh: a student of Architecture.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Saeed and Majeed, 29 years old, both hotel receptionists.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Helma and Helia, 4 years old.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Khadijeh and Sedigheh, 54 years old, both housewives.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Maheen and Mahnaz, 25 years old, both operating room technicians.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Behzad and Behnam, 26 years old, Behzad: master of plant pathology, Behnam: master of business administration.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Sama and Saba, 7 years old.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Shahrad and Behrad, 10 years old.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
© Shiva Khademi
Gemini
According to global statistics, one percent of the world’s population consists of twins and multiples. Based on the statistics from Iran National Organization for Civil Registration, the multiple births in Iran have been up to three percent of births since 2011. In spite of their low percentage, multiples have had a profound impact throughout history. Sometimes they have been worshiped as gods, sometimes as charmers. Twins have marked their footsteps in myths, and accordingly, there are a lot of resemblances in various cultures; such as Castor and Pollux who were known as “the heavenly twins” and are often associated with Gemini; Romulus and Remus, Jacob and Esau, Horus and Seth, etc. When I faced identical twins, I was mesmerized by their matching outfits, similar make-up and hairstyles and body language; I was astonished by the fact that they finished each other’s sentences or uttered words with the same tone together; they even smiled or had a think at the same time, sometimes had similar dreams, similar exam results, and they had identical tastes… and these similar behaviors were strange and astounding, yet so ordinary and innate according to themselves. The question that led to the idea of this photo collection in my mind was that, is their identity “one” that has been repeated twice, or do they have their own independent existence, despite being double? Are they a manifestation of beauty which has been duplicated? Is their nature a line between reality and fantasy? It’s all as if they touch the flowing forgotten feelings and waken something deep within us, which originates in the depth of obscure ancient rituals and cultures.
Ameneh and Sajedeh, 20 years old, both students of medical engineering.
 Shiva Khademi
Shiva Khademi
Iran
Shiva Khademi was born in 1990 in Razavi Khorasan province of Iran. She holds a Bachelor`s degree in Art and Cultural Management in Jahad Daneshgahi University of Applied Science. Shiva works at the Ferdowsi Mashhad University, Iran. She has won awards in a number of national and international photography contests, including National Iranian Young Photographers Festival, honored Independent Award for Social Documentary Photography.
Gemini
Gemini
1st place
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera is wearing a plush coat she wangled to buy in a store in the Volozhin district. She has a kerchief on called a shalinovka decorated with flowers. Vera was wearing this kerchief when she met her future husband, Sergei.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera is wearing a plush coat she wangled to buy in a store in the Volozhin district. She has a kerchief on called a shalinovka decorated with flowers. Vera was wearing this kerchief when she met her future husband, Sergei.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera in her daughter’s wedding dress.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera is wearing a dress her daughter sewed to qualify as a tailor. The beads were brought back from France by Vera’s sister.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera in a dress she had tailored at a dressmaker so as to obtain gold fabric for her daughter’s prom dress. They planned to have it made in Minsk.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera is wearing her daughter’s prom dress. To obtain the fabric and have the dress made at the Fashion House in Minsk rather than in Volozhin, Vera had to buy violet fabric and had another dress made for her at the Volozhin dressmaker’s.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera has a belt on that she keeps in memory of her father.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera is wearing a dress given to her by a friend. Violet is her favorite color.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera is wearing trousers she bought when she was in hospital for cancer treatment. Vera dislikes trousers. She prefers skirts or dresses as casual wear. But everyone in her hospital unit was wearing trousers.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera has a dress on given to her as a present by her daughter-in-law. Vera was retired when her son married. The bride’s parents opposed the marriage. Vera invited the couple to live at her place and helped them raise their first-born.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera is wearing a coat she bought when the Soviet Union collapsed so that her savings were not wiped out by inflation.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
© Tatyana Tkachyova
Vera’s seasons
On January 1, Vera who has spent her whole life in Volozhin celebrated her 91st birthday. She married, raised three children, worked and brought up her grandchildren. She is not afraid of old age, she believes these are her final seasons and that her life is coming to a close. She likes wearing fancy dresses. This wardrobe contains her entire life.
Vera’s burial outfit and shoes.
Tatyana Tkachyova
Tatyana Tkachyova
Belarus
Tatyana is a freelance photographer and culture expert. She lives and works in Minsk. Tatyana graduated from Belarusian State University of Culture and Arts with a degree in fundamental cultural studies (2014) and studied at Fotografika Academy of Documentary Photography and Photojournalism in St. Petersburg (2015-2016). She has worked as a photographer since 2015. Tatyana is a member of the Belarusian Association of Journalists.
Vera’s seasons
Vera’s seasons
2nd place
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A carpenter’s family and their friends.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A portrait of a villager from Bolshaya Tavra.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A piece of a man’s costume.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
Residents of the village of Kurki.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A portrait of a married couple.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A folk song and dance group from the village of Kurki.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A portrait of a priest of the Mari traditional religion in a cap.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A piece of interior and an old photo of the house owner.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A portrait of a traditional costume tailor.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A portrait of a schoolgirl in a village community center.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A family portrait. The woman is a Ural Mari and the man is a Mari from Central Russia.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
© Fyodor Telkov
Mari people in the Ural region wearing traditional costumnes
Unique folk costumes are among the main elements of Mari self-identity and their pride in the Ural region. Their garments are passed from generation to generation, and some suits are several hundred years old. The secrets of their unique embroidery have been lost.
A portrait of a woman holding her mother’s dress. Her mother was the last person in the village who could embroider, sew and mend traditional costumes.
Федор Телков
Fyodor Telkov
Russia
Born in Nizhny Tagil, Russia in 1986, Fyodor Telkov is a photographer, a project supervisor and since 2008, a member of the Russian Union of Photo Artists. He graduated from the Artistic Graphics Department of the Nizhny Tagil State Social and Pedagogical Academy. He is currently based in Yekaterinburg.
Mari people in the Ural region wearing traditional costumnes
Mari people in the Ural region wearing traditional costumnes
3rd place